The Safe House

Most people are blessed with incorrigible ignorance. They don’t see the lion under the table. They don’t see the goblins in their chicken houses. They don’t even have a chicken house and so they can’t see the devil in his details.

I tell them. They laugh. I tell them again. They say they’ll lock me up. I tell them, “If you lock me up who will protect you from the fairy kingdom?” They lock me up. That’s exactly what I wanted them to do. The last line of defense had collapsed. It’s safer right here. By nightfall someone else can worry about those goblins.

There once was a dragon who knew
That damsel’s effectively through
With her knight on his horse.
They had run off, of course,
Since there’s nothing now either can do.


Linked to Saturday’s Image Write #6 hosted by Bekkie Sanchez and featuring Jacek Yerka.

Linked to imaginary garden with real toads Title-Tale hosted by Magaly featuring Goblinproofing One’s Chicken Coop: And Other Practical Advice in Our Campaign Against the Fairy Kingdom by Reginald Bakeley.

Part of the Confessional Poetry of Imaginary People series.

Keeping My Imaginary Friend Happy

What a sky-is-blue-grass-is-green day! I love sitting on this park bench with my imaginary friend, Alice. While I’m enjoying reality she’s telling me that if she ever hears another rhyme between “night” and “light” or “death” and “breath” she’s going to do something I’ll regret. Furthermore she insists I stop writing those happy-happy poems because as a fully deconstructed, beyond-whatever-existential adult she would rather have angst, dread and drivel smothering her than sentimentality. I tell her that I kind of like those rhymes. She pulls out some pills, “Here. Take these.” As I swallow sending them down, down into the depths of deconstruction she jumps up from her existential happy place and proclaims, “Haha! That’s arsenic! You’re dead!”

Then Alice cries, “I’m sorry I gave you that arsenic even if it was only imaginary arsenic.” “That’s OK.” (What else am I going to say?) She explains that it is all because she’s not real. That’s why she acts the way she does. I tell her, “Look at those atoms. They’re just empty space! They aren’t any more real than you are!” She stops crying and asks, “Really?” And I say, “Sure!” Then she wants to know about that tiny stuff in the middle of the atoms. She starts crying again. I tell her that tiny stuff isn’t real either. “Really?” At this point I have to think. I don’t want to lie to her, but I don’t want her to start crying again and for all I know she’s as real as anything else I can imagine out there and so I say, “Sure!”


I am hosting dVerse Meeting the Bar Prose Poetry today. The challenge is to write either a prose poem or a poem explaining why prose poetry doesn’t exist.  Any similarity to real people in this prose poem is purely imaginary.

Chance

Not Quite There

I told myself that I should be about 170 pounds
and sometimes I check in the morning to see if
my body got the message and usually it didn’t,
but it turned out today that the scale showed 167
pounds which kind of surprised me and made
me wonder if there was something wrong with
the scale or if I needed to tell my eyes to see
more clearly but it looks like my body finally came
through and then I wondered what if I could
levitate and then Alice appeared and she wanted
to know what I was doing and I told her that my
body finally did what I told it to do and she wasn’t
impressed and she wanted to know about that
levitating nonsense I was jabbering about and I
told her I thought it would be cool to become
weightless for a while and she told me that would
mess up my ideas about gravity and did I really want
another cognitive dissonance experience so soon
and then she mumbled something I deliberately
ignored about needing to appreciate whatever
experiences I might have while I had the chance.


A second link to dVerse Meeting the Bar. Amaya is hosting and hopefully this poem is more in line with the prompt. By the way, I now weight about 160 pounds and we have upgraded our technology since those dark ages to a digital scale.

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