Most people are blessed with incorrigible ignorance. They don’t see the lion under the table. They don’t see the goblins in their chicken houses. They don’t even have a chicken house and so they can’t see the devil in his details.
I tell them. They laugh. I tell them again. They say they’ll lock me up. I tell them, “If you lock me up who will protect you from the fairy kingdom?” They lock me up. That’s exactly what I wanted them to do. The last line of defense had collapsed. It’s safer right here. By nightfall someone else can worry about those goblins.
There once was a dragon who knew
That damsel’s effectively through
With her knight on his horse.
They had run off, of course,
Since there’s nothing now either can do.
Linked to Saturday’s Image Write #6 hosted by Bekkie Sanchez and featuring Jacek Yerka.
Linked to imaginary garden with real toads Title-Tale hosted by Magaly featuring Goblinproofing One’s Chicken Coop: And Other Practical Advice in Our Campaign Against the Fairy Kingdom by Reginald Bakeley.
Part of the Confessional Poetry of Imaginary People series.
The house I’m building in my head
Is either very small
Or big so it excludes no one,
An ark that holds us all.
But since I don’t know everything
And others would build, too,
That fancy house would have to be
Quite small–just what will do.
Linked to dVerse Poetics hosted by Sara McNulty with the prompt “DIY building”.
Photo by the author, “All of us fish in one pond”
What a sky-is-blue-grass-is-green day! I love sitting on this park bench with my imaginary friend, Alice. While I’m enjoying reality she’s telling me that if she ever hears another rhyme between “night” and “light” or “death” and “breath” she’s going to do something I’ll regret. Furthermore she insists I stop writing those happy-happy poems because as a fully deconstructed, beyond-whatever-existential adult she would rather have angst, dread and drivel smothering her than sentimentality. I tell her that I kind of like those rhymes. She pulls out some pills, “Here. Take these.” As I swallow sending them down, down into the depths of deconstruction she jumps up from her existential happy place and proclaims, “Haha! That’s arsenic! You’re dead!”
Then Alice cries, “I’m sorry I gave you that arsenic even if it was only imaginary arsenic.” “That’s OK.” (What else am I going to say?) She explains that it is all because she’s not real. That’s why she acts the way she does. I tell her, “Look at those atoms. They’re just empty space! They aren’t any more real than you are!” She stops crying and asks, “Really?” And I say, “Sure!” Then she wants to know about that tiny stuff in the middle of the atoms. She starts crying again. I tell her that tiny stuff isn’t real either. “Really?” At this point I have to think. I don’t want to lie to her, but I don’t want her to start crying again and for all I know she’s as real as anything else I can imagine out there and so I say, “Sure!”
I am hosting dVerse Meeting the Bar Prose Poetry today. The challenge is to write either a prose poem or a poem explaining why prose poetry doesn’t exist. Any similarity to real people in this prose poem is purely imaginary.
Some days my happy giggles don’t
Do what I want them to.
They hide because I’m feeling sad.
They hide because I’m being bad.
They hide because you think I might
Be someone who is not quite right.
That’s why we hide from you.
The “I” and “you” are imaginary. I just like speaking in the first person. One day I might collect these and call them “Confessional Poetry of Imaginary People”.
Linked to dVerse Quadrille #27 hosted by De Jackson (aka WhimsyGizmo) making use of the word “giggle”.
Photograph: “Birds Who Think I’m Quite Alright To Be Around” by the author.