Differentiating Subjective and Objective

The only thing some say that I can know
Is what’s subjective, and I’m fine with that,
But when I shoot electrons aiming at
A double slit I trust I still can show
I fired something definite although
If I could tell which slit each one went through
I’d change the way they must have done that, too,
Implying dumb reality must go.

Hey! I don’t mind. The world seems better when
The matter that I thought was dead depends
Upon some deeper Consciousness to be.
If that configuration’s better, then
It changes almost everything and sends
Me looking for those Eyes that look at me.

Eveningwocky

I based the following poem on Lewis Carroll’s Jabberwocky where the identical first and last stanzas tie together the nonsense words and nonsense quest and are themselves, more or less, as the reader chooses to read them, nonsense.

Eveningwocky

When evening scents the Mithal trees
To please the frickle nose of night,
With eager ease she wildeyed sees
The darkness through delight.

“Make haste and run away with me.
Your father feigntful wants us gone.
We’ll cross the Leewild Forest be
Away when dusk calls dawn.”

But she would not ride off with him
Though handly fair of husky form,
Though strongly slim, sweet Gildawim
Would not offend the norm.

“Ride now! The night is begging you.
The stilblink stars will shine till late.
And when we do, the Precids, too,
Will fantasize our fate.”

She hesitates behind the door
That firmly guards what’s in from harm
And on the floor the Shiftwindmor
Cries out in sly alarm:

“Beware the boy behind that man
Who calls you through that pretty face
Though pleasure can be wild….” She ran
And caught him through embrace.

When evening scents the Mithal trees
To please the frickle nose of night,
With eager ease she wildeyed sees
The darkness through delight.

Walking Through St. Paul’s Churchyard in Manhattan

The rain and wind attacked the stones
That marked where George and Sarah rest.
Somewhere their flesh and fragile bones
Decayed.  The gravestones did their best
To let us know who’s lying where,
But weather wore their faces bare.
These markers still have much to tell:
The chapel stood when towers fell.